Simon Vouet

b. 1590, Paris, d. 1649, Paris.French painter and draughtsman. Although at the time regarded as one of the leading French painters of the first half of the 17th century, he is now known more for his influence on French painting than for his actual oeuvre. He made his reputation in Italy, where he executed numerous portraits for aristocratic patrons and was commissioned for religious subjects. Although the early Italian works show the influence of Caravaggio, his work was subsequently modified by the Baroque style of such painters as Lanfranco and the influence of the Venetian use of light and colour.


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Simon Vouet Allegorie des Reichtums oil


Allegorie des Reichtums
Painting ID::  70731
Allegorie des Reichtums
Medium Oil on canvas Dimensions Expression error: Missing operand for *170 ?? 124 cm
   
   
     

Simon Vouet Wealth oil


Wealth
Painting ID::  71493
Wealth
Date ca. between 1635(1635) and 1640(1640) Medium Oil on canvas Dimensions 170 x 124 cm (66.93 x 48.82 in)
   
   
     

Simon Vouet Low resolution detail of the muse Urania from The Muses Urania and Calliope oil


Low resolution detail of the muse Urania from The Muses Urania and Calliope
Painting ID::  72420
Low resolution detail of the muse Urania from The Muses Urania and Calliope
Low resolution detail of the muse Urania from The Muses Urania and Calliope c. 1634 cjr
   
   
     

Simon Vouet Vierge Hesselin oil


Vierge Hesselin
Painting ID::  73456
Vierge Hesselin
Vierge au rameau de chene, dite "Vierge Hesselin" cjr
Vierge_au_rameau_de_chene,_dite_"Vierge_Hesselin" cjr
   
   
     

Simon Vouet Diana oil


Diana
Painting ID::  74507
Diana
1637 Oil on canvas 102 X 141 cm (40.16 X 55.51 in) cjr
   
   
     

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     Simon Vouet
     b. 1590, Paris, d. 1649, Paris.French painter and draughtsman. Although at the time regarded as one of the leading French painters of the first half of the 17th century, he is now known more for his influence on French painting than for his actual oeuvre. He made his reputation in Italy, where he executed numerous portraits for aristocratic patrons and was commissioned for religious subjects. Although the early Italian works show the influence of Caravaggio, his work was subsequently modified by the Baroque style of such painters as Lanfranco and the influence of the Venetian use of light and colour.

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